fokionly.blogg.se - Cineplay theater

(3) The final release form was a CinemaScope compatible 2.35:1 a/r version made from the same 24fps negative used in the Cinestage release. You will see that this was a very expensive film for exhibitors to run, even though it was quite similar to CinemaScope. It is this special 35mm version of the film that is covered by the specifications contained in this document. (So we find it logical that a similar scheme was used in the 70mm version). The four track magnetic stereophonic sound system was identical to CinemaScope except that the fourth track included Perspecta control tones to steer auditorium sounds. This yielded approximately a 2:1 a/r, much closer to TODD-AO than CinemaScope's 2.55:1. The film used a lower compression ratio in the 35mm anamorphic format than CinemaScope, 1.567X versus 2X. It was the intention of The Michael Todd Corporation that the Cinestage version of their film would look and sound as much like the 70mm TODD-AO version as possible. This format was referred to as "Cinestage", and the prints were produced optically by Technicolor to a special 35mm anamorphic format from the 24fps version of the negative. (2) Following the initial TODD-AO run, another release format was made, with advanced ticket prices.

We do not have any proof of this at the museum at present but evidence pointing in that direction will be seen in this section. Additionally, it is highly likely that cueing tones were recorded in the sixth, (surround), track to steer auditorium effects. The sound system was six track magnetic, which became the standard for that film gauge. The release prints were 70mm contact prints from the 30fps negative. (1) The initial release was the TODD-AO reserved seat roadshow version. Thanks to Jeff for his contribution of this rare piece of technical data.Įntrepreneur Michael Todd's production of Around The World In Eighty Days was released in three distinct stages, each differing substantially in their technical requirements. Provided through the courtesy of Jeff Joseph, Sabucat Productions. Three sold-out performances of a staged reading of a new play which gave voice to a local story about a life-saving Australian first operation in 1949.Cinestage Technical Specs Cinestage Theatre Specifications

Matters of the Heart by WA playwright Leith Taylor, Guest Director Leith Taylor.

A compelling, modern classic which challenged our notion of ethnic prejudice and mental wellness in society. This Olivier and Critics Circle award-winning play had a critically acclaimed season for our third production at Burt Memorial Hall, this time with a foyer space and bar.

Blue/Orange by UK playwright Joe Penhall.

This American Theatre Critics Association award-winning play, performed in a near sell-out double bill with The Children at Burt Memorial Hall, was described as an ode to youth, life, love and the strange beauty of human connectedness.

I and You by US playwright Lauren Gunderson, Guest Director Kate Cherry.

A Tony award-winning play, performed at our found space, Burt Memorial Hall, this powerful story addressed the importance of legacy, generational responsibilities and the environmental impact on the planet of human activity.

The Children by UK playwright Lucy Kirkwood.

In collaboration with the Finding Sydney Foundation and the WA Museum, a landmark production based on Australia’s greatest maritime disaster off the coast of Geraldton in 1941.

SYDNEY II: Lost and Found by Jenny Davis OAM, our second CineStage production.

Adapted from the iconic WA biography, our first award-winning CineStage production has reached over 100 performances so far and continues to tour sell-out shows throughout Western Australia. Facey’s A Fortunate Life by Jenny Davis OAM & Stuart Halusz. Notable productions since the transition to THEATRE 180 in 2018 include: Whether producing plays in cinemas, found spaces or established venues, we take theatre to audiences wherever we can find them. Followed up by SYDNEY II: Lost and Found, this unique genre is ideal for epic storytelling with universal themes.

Facey’s A Fortunate Life, our CineStage productions combine the immediacy of theatre with the visual impact of cinema in a truly immersive experience. We seek out the best contemporary writing in Australia and on our international stages – award-winning contemporary plays with themes that resonate with today’s audiences, such as mental health, environmental, legacy and intergenerational relationships.Ĭreated in 2019 with A.B.